Unrooted from the Northern Qi - National Museum of Asian Art
2019年9月25日 · Buddhist art in China rose in prominence during the Northern Qi dynasty (550–577). The array of limestone Buddhist sculptures on view in gallery 17 hints at their popularity. Northern Qi sculptures, often identified by their simplistic yet elegant form, were influenced by the Gupta style from India.
Unrooted from the Northern Qi - Smithsonian's National Museum of Asian Art
2019年9月25日 · Buddhist art in China rose in prominence during the Northern Qi dynasty (550–577). The array of limestone Buddhist sculptures on view in gallery 17 hints at their popularity. Northern Qi sculptures, often identified by their simplistic yet elegant form, were influenced by the Gupta style from India.
China | Northern Qi dynasty (550–577) - The Metropolitan Museum of Art
北齊 彩繪石雕菩薩立像. Title: Standing bodhisattva. Period: Northern Qi dynasty (550–577) Date: mid- to late 6th century. Culture: China. Medium: Limestone with traces of pigment. Dimensions: H. 40 1/2 in. (102.9 cm); W. 14 1/2 in. (36.8 cm); D. 8 3/4 in. (22.2 cm) Classification: Sculpture. Credit Line: Gift of Mr. and Mrs. D. Herbert Beskind, 1956.
Echoes of the Past: The Buddhist Cave Temples of Xiangtangshan
2011年2月26日 · Majestic sixth-century Chinese Buddhist sculpture is combined with 3-D imaging technology in this exploration of one of the most important groups of Buddhist devotional sites in early medieval China. Carved into the mountains of northern China, the Buddhist cave temples of Xiangtangshan (響堂山, pronounced “shahng-tahng-shahn”) were the ...
Smarthistory – Western Paradise of the Buddha Amitabha
It is believed to be the earliest known illustration of the Western Paradise in Chinese art. The relief comes from the wall of a cave at Xiangtangshan, literally “Mountain of Echoing Halls,” in Northern China. The Buddhist cave temples of Xiangtangshan are a group of worship halls or shrines carved into the mountains during the sixth century.
Head of an attendant bodhisattva | China | Northern Qi dynasty …
Period: Northern Qi dynasty (550–577) Date: ca. 565–75. Culture: China. Medium: Limestone with pigment. Dimensions: H. 15 in. (38.1 cm); W. 11 1/4 in. (28.6 cm); D. 8 1/4 in. (21 cm) Classification: Sculpture. Credit Line: Rogers Fund, 1914. Object Number: 14.50
China | Northern Qi dynasty (550–577) - The Metropolitan Museum of Art
Period: Northern Qi dynasty (550–577) Date: mid-6th century. Culture: China. Medium: Limestone. Dimensions: H. 25 3/4 in. (65.4 cm); W. 22 in. (55.9 cm); D. 23 in. (58.4 cm) Classification: Sculpture. Credit Line: Rogers Fund, 1930. Object Number: 30.66.2
Smithsonian's National Museum of Asian Art
Lai-Yuan and company describes these objects as “Two Huge Archaic Stone Slabs of Norther Wei Dynasty,” see object descriptions, copy in object file. [3] On March 21, 1921, Lai-Yuan & Company sent this object, F1921.2, and F1921.3 to the Freer Gallery of Art via railroad.
Ancient Chinese Sculpture (Part VII) - historyaffairs.com
The sculptures from the Northern Qi period began to appear short and stout with strong, broad shoulders and chests. This was a concrete manifestation of the transition from the Northern Wei style to the prosperous Tang style.
Standing Śākyamuni Buddha - Saint Louis Art Museum
Based on stylistic analysis and other comparable works, this statue may have been made either during the final years of the Northern Qi dynasty or the early years of the Sui dynasty. This standing statue would have been supported on a lotus pedestal that surmounted a square base, carved from the same marble.
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