Carol Twombly - Wikipedia
Carol Twombly (born June 13, 1959) is an American designer, best known for her type design. [1][2] She worked as a type designer at Adobe Systems from 1988 through 1999, during which time she designed, or contributed to the design of, …
Carol Twombly - Adobe Fonts
To Twombly’s surprise and delight, she won first prize in the Latin text category, and Morisawa subsequently licensed and marketed her design under the name Mirarae™. Soon after, Carol began working for Adobe Systems and in 1988 became a full-time type designer in the Adobe Originals program.
Carol Twombly: Prominent FEMALE Typographer of the 20th ...
Carol Twombly, born in 1959 in Concord Massachusetts, started her artistic endeavors as a sculpture artist at Rhode Island School of Design. After seeing the practical appeal of the field of graphic design, she switched from sculpture to graphic design.
CAROL TWOMBLY: HER BRIEF BUT BRILLIANT CAREER IN TYPE …
She interviewed and corresponded extensively with Carol Twombly and many of her associates and colleagues in writing this profile of a woman who rose to the top of a field historically dominated by men, at a time of barrier-breaking and technological revolution.
Carol Twombly's revival type designs for Adobe
Feb 12, 2024 · This new postscript-based software paved the way for many type designers to be hired, like Carol Twombly. But, before she made a splash in Adobe Systems, she studied graphic design in Rhode Island School of Design and Bigelow and Holmes Studio.
Trajan - Adobe Fonts
Explore Trajan designed by Carol Twombly, Robert Slimbach at Adobe Fonts. A serif typeface with 6 styles, available from Adobe Fonts for sync and web use. Adobe Fonts is the easiest way to bring great type into your workflow, wherever you are.
Nancy Stock-Allen, Carol Twombly: Her Brief but Brilliant ...
Mar 6, 2019 · Nancy Stock-Allen’s book is an unapologetic homage (“Her brief but brilliant career in type design” is the subtitle) to the work of type designer Carol Twombly, whose career bridged the critical moment that typography moved from cold type (photo-based creation and capture that never successfully found its legs) to digital.
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