It doesn’t matter what Olivia says ... In the opening scene of Twelfth Night Orsino delivers the famous line “If music be the food of love, play on.” At the end of the play, when three ...

The great hall is filled with music ... Twelth Night abounds in great talk, but the most perceptive remark of the evening belonged to Olivia, who said with a glance of pure delight: "Oh, most ...

Orsino is madly in love with the lady Olivia, who is in mourning due to her brother's recent death, which she uses as an excuse to avoid seeing the count, whom she does not love. He sends Cesario ...

Twelfth Night is as much about the fleeting nature ... war – and the women in stylish but solemn black gowns. Lady Olivia (Dorothea Myer-Bennett) is mourning her dead brother, while Duke Orsino ...

To do so, the woman must pass as a man, so Viola becomes Cesario and soon her wit and unusual demeanour win her favour with her master and a job as a surrogate wooer of his indifferent love interest, ...

Indeed, Bednarczyk has augmented the jester’s usual repertoire (Come Away Death; and O Mistress Mine) with Coward’s 1945 ditty Sigh No More, helping situate the action at the end of the war ...

Viola believes Olivia is in love with her ... Sir Toby Belch and Maria marry. Twelfth Night ends and everyone, except Malvolio, is happy.

Orsino wonders about how music ... Olivia and they marry. Orsino finally realizes that it is Viola that he truly loves and they decide to marry, as well. Sir Toby Belch and Maria marry. Twelfth ...

Viola, stranded and disguised as a boy, falls for the Duke, who pines for Olivia. However, Olivia, in mourning, finds herself smitten with Viola, setting off a comical chain of romantic entanglements.