I tried to rescue myself by pointing out that Ebony and I were just about the only two critics to unreservedly praise Gabriel Orozco's retro at MoMA last year, and that, if David and I were to think ...
the artist Dora Maar (the subject of the MoMA-lent portrait). His mistress Marie-Thérèse Walter had already been living in the town with her and Picasso’s eldest daughter, Maya, since July 1939.
The latter, which demonstrates Picasso's shift from rose tones to the muted-blue palette, Paley hung in his Manhattan apartment entrance, noted in a MoMA catalogue as "the only room where people ...